The Starless Sea
The Starless Sea Book Review by Erin Morgenstern
This book made me feel like I was drowning.
In honey.
If you don’t get that reference, don’t worry. Morgenstern will beat you over the head with it every single chapter until you can never see honey the same way again.
Now, I feel like I’m in an odd camp where I actually haven’t read Morgenstern’s famous masterpiece The Night Circus. I’ve always wanted to get around to reading it, but it always seemed to slip right past my to-be-read pile.
So when The Starless Sea came out, I thought yes! This is my chance to get in on a Morgenstern book early.
Too bad I didn’t like it.
The Starless Sea starts off really interesting. There’s a series of vignettes that hook the reader right away, including a pirate and a girl, an acolyte in training, a dollhouse village, and a fortune-teller’s son. The fortune teller’s son turns out to be the main protagonist of the novel—Zachary Ezra Rawlins.
Zachary Ezra Rawlins is a hermit-like young man in his mid-20’s studying game design. He ends up finding an old book at his university’s library in which his real life childhood memory is one of the chapters. The other chapters of this old novel? All chapters that we as readers have been consuming since the first page. Very meta, Morgenstern.
Understandably baffled, Zachary Ezra Rawlins sets on a quest to uncover the book’s secrets, leading him to the very real underground world of the Starless Sea, including its inhabitants, puzzles, and magic.
Throughout the journey, Zachary Ezra Rawlins meets other characters connected to the Starless Sea in some capacity and finally gets the answer to the question that has plagued him since childhood: what would have happened if he had opened that door?
I genuinely wish I could go more in depth about this book’s plot, but there’s only one main problem—this book doesn't have a plot. Go ahead and read that sentence again. I’ll state it once more for good measure: As an objective third-party outsider with absolutely no stakes in the matter, The Starless Sea contains no discernible plot to speak of.
I can say that the plot was a convoluted mess that didn’t make any sense. Zachary Ezra Rawlins (yes, it does get annoying repeating this again and again, yet Morgenstern opens every chapter with it) goes deep down underground past the Harbor into the Starless Sea for…reasons.
He encounters numerous puzzles and magic and lots of rooms that Morgenstern likes to describe in excruciating detail, mainly that they’re dripping in honey and occupied by cats. The other people he encounters don’t answer most of his questions, leaving the reader bewildered and frustrated.
One character in particular is a man that Zachary Ezra Rawlins falls in love with for seemingly no reason at all. They have about three stunted conversations, including one where the other man whispers menacingly in his ear in the dark about bees and owls and swords for ten minutes, and then Zachary Ezra Rawlins is risking life and limb in the abyss of the Starless Sea to rescue him.
Another character is trying to blow up the Starless Sea for inane reasons that don’t make sense, but essentially get boiled down to she’s trying to protect it.
The other characters include Zachary Ezra Rawlins’ college friend who gets way more page time than she needs to, the keeper of the Starless Sea that answers nobody’s questions, Mirabel who is apparently the embodiment of fate, and her parents, who have been trapped in time and space for…a long time?
None of these characters called to me. None of them were awful, but all of them outside of Zachary Ezra Rawlins were either too brief, underdeveloped, or abstract for me to connect with on any kind of emotional level.
I wanted to connect to Zachary Ezra Rawlins, but none of his actions held much depth, his thinking was too shallow, and his commitment to his love interest Dorian actively didn’t contain any kind of logic or understanding.
You might be wondering: if she didn’t like the nonsensical story or the characters, did she like anything?
Indeed, I did. The setting of The Starless Sea was really incredible. I’m always in awe of people’s creativity and imagination, both qualities Morgenstern seems to have in droves. The descriptions of the rooms, the Harbor, and the Starless Sea itself were all intricate, beautiful, and extremely symbolic.
I wish I could say that I liked Morgenstern’s writing, but it really grated on me. What started off as moving writing, well-crafted sentences, and intentional symbolism turned into a repetitive slog that drove me up the wall.
I like symbolism as much as the next person, especially subtle symbolism, but Morgenstern’s symbolism is the opposite of subtle.
Morgenstern’s symbolism wants to beat you over the head with a key. Or a bee. Or a sword. Or a crown. Or an owl. You get where I'm going with this. What could have been a really cool series of motifs turned into a pretentious drone that aggravated me more and more as I continued to read.
Overall, I was really disappointed with The Starless Sea. With a little more plot direction, tightening of the characters, and less symbolism, The Starless Sea could have been an alluring and fantastic read to rival the everlasting fame of The Night Circus.
As it stands, however, The Night Circus would only need to contain a recognizable plot to be better than The Starless Sea for me.
Recommendation: If you are a Morgenstern fangirl and will be reading The Starless Sea regardless of what I say, fantasize about the incredible setting of The Starless Sea and hope to forget about everything else. If you’re like me and haven’t delved into Morgenstern’s worlds just yet, start and end with The Night Circus.
Score: 4/10