Babel

Babel Book Review by R.F. Kuang

This book was so incredibly impressive in multiple ways. I was blown away by Kuang’s sheer amount of research in terms of history, etymology, linguistics, and sociology. There were so many aspects of this novel that required her to dig deeper into subjects and Babel is an incredible display of her hard work and effort (and PHD’s). 

Babel tells the story of a young boy who is taken from his home in Canton and trained by Professor Lovell in England. Given a new name, Robin Swift, the best tutors, and a strict schedule that dominates his childhood, Robin is forced to forget his home and dead family in order to assimilate into White British society, a society that sees him as foreign and less than human, even as they rely on his Cantonese in order to power their city. 

Blending realistic, brutal history of the British empire—bloody politics and colonialism included—with the magical element of silver bars and silver-working, Kuang creates a beautiful blend of accuracy and the fantastic. In this world she’s created, silver working is birthed through what is lost in translation, requiring different languages and people who deeply understand it. 

The effects of this translation are magical bars that can be imbued with a variety of purposes like making carts go faster, ships sail smoother, and teapots stay hot—only if you can afford it, of course. 

Robin’s childhood is stained with memories of Professor Lovell’s cold shoulder, violent temper, and reticence to admit that Robin is actually his son. With Lovell looming over him, Robin is relieved when he’s old enough to attend Oxford as a Babbler, a revered translator. 

A good portion of the book details Robin’s stay at Oxford, including his studies with his other cohort members: Ramy, Victoire, and Letty. 

I could argue that this section was a bit long, where we have chapters upon chapters of Robin attending classes, dreaded school functions, mundane translation work, or spending time with one of his friends but overall, I enjoyed it. 

This is where Kuang focuses a lot of energy and pages to linguistics, building her world and magic system of silver bars, and developing the relationships between Robin and the others. These chapters are also steeped in history, with several of them almost coming across like a textbook. 

Again, if this sounds boring, it wasn’t. I found the historical recounting of the British empire a fascinating subject when used in conjunction with the silver bars and Robin’s eventual epiphany of his own situation and latent childhood cruelty. 

Some much needed spice came in the form of Griffin and the Hermes Society. Griffin, it turns out, is Robin’s half-older brother and also an unnamed heir of Professor Lovell. 

He is a part of a rebel organization whose purpose is to destroy Babel, stop the pillaging of other languages for Britain’s greed and pleasure, and eventually, to change the course of history by dismantling war plans between China and England. 

I could go on and on by summarizing the rest of the book (which would contain massive spoilers), but the ending focuses on Robin and his friends going to Canton themselves, witnessing the British trying to get the Chinese addicted to opium, a harsh death that leads Robin and his cohort to join the Hermes society, and then a fight against the empire itself as Robin and his rag-tag survivors destroy Babel within in order to bring Britain to its knees and leave Canton alone for good. 

The plot of this book itself was solid. I don’t say fantastic because there was never at any point where I was truly shocked or blown away by a surprise twist or revelation. The characters you think will die, do die, and the characters that seem suspicious of betrayal, do in fact betray others. 

This would be a criticism of obvious expectations, but I don’t think astonishing was what Kuang was going for. I think she was going for more of a streamlined story in which, yes, the white girl does feel slighted and must take action in order to save herself.

 I did like the occasional separate POV’s that would explain a character’s backstory and motivation, but in general, Kuang was trying to tell a realistic story and she did, including adding historical footnotes, remarks on translation, and word definitions that I found fascinating, if a bit obtuse. 

Setting wise, Oxford was brilliant. You can tell that Kuang is half in love with Oxford, which makes for very pleasurable reading. As I studied abroad there myself, it was very nostalgic and lovely to read about its cobblestone streets and spires glinting in the moonlight. 

My biggest gripe with the book are its characters. They’re not bad, not by any stretch of 

the imagination, but none of them felt very fleshed out either. The only character I found myself really understanding and relating to was Robin, as we spend the entire book in his head. I found Robin to be a sweet, tortured soul who took us on a riveting journey of self-discovery and eventual, brutal revolution. 

All the remaining characters in the book were fine, but I never felt like I knew them on any grounds. It annoyed me when Kuang would have a paragraph or two every other chapter discussing how much Robin loved his cohort members and list off random things about them, like how Victoire preferred her tea or how Ramy acted in the morning. These idiosyncrasies should have been shown to me, not told. 

The book would have been at least a third longer if Kuang had truly tried to develop the characters naturally in a way where their connections felt believable and organic, so I understand why she didn’t, but it comes at the cost of having shallow characters with little depth and minimal attachments to the reader. When several characters died, I didn’t bat an eye. 

I teared up slightly when Robin was miserable in prison, but the deaths of others? Not a blink. 

While I understand that Kuang’s focus was more on the history, sociology, and linguistics, as I mentioned at the beginning of this review, by shafting the characters, it does make this a good book rather than an exceptional one. 

For me, a very character-driven reader, no matter how stunning the research and backdrop of your novel, if you don’t have strong characters to pull the reader through, it will never amount to a book I would consider great. 

However, that being said, I really enjoyed this book for what it was and the information it contained, even though we never learned Robin Swift’s real name. It was a very different read than the novels I’ve been ingesting lately, coming across as refreshing and informative. 

I really enjoyed the book, despite not having attachments to characters, because of all that I learned and the lens of history it offered. 

Recommendation: If you like history, revolution, languages, and magic, this is your book. If you wanted a different perspective on the fall of the British empire mixed in with fantastical silver bars, you will find nothing more polished or better explained than Babel. If history bores you, the world and characters will not be enough to pull you through to the end. But as a lover of history and different perspectives, I bolted down Babel and cherished how much I learned in the process. 

“Language was always the companion of the empire, and as such, together they begin, grow, and flourish. And later, together, they fall.” —Antonio De Nebrija 

Score: 7/10